Cretan love song
Imagine you’re part of the Minoan civilization, just hanging out with your effete painted face down by the water’s edge on the north shore of Crete, circa 1600 BC. Biting flies knit the breeze around your head. Wavelets slap discreetly ashore. When the volcanic island of Thera detonates seventy miles to the north, the concussion,...
Watching the river flow
The creative process is a funny thing, but when I’m in the middle of it I don’t do much laughing. As an idea gestates in my mind, hour upon hour of writing time can flit by with my skull hitting the desk more frequently than my fingertips hit the keyboard. Trying out a new genre...
The house by the woods
It is a few minutes past one in the morning when the front door slams shut. Anyone remaining in the house – but there is no one – would be able to hear, through the closed door, the footsteps of three people hurrying across the porch and down the stairs. There are voices, too –...
Forever girl
6:54 at night, Tuesday, September 7th The plastic electronic baby won’t stop crying. My Forever Parents said it’s supposed to be like a real baby but it isn’t. I can’t make it happy. Even when I rock it. Even when I change its diaper and give it a bottle. When I say ush, ush, ush...
Bret Anthony Johnston: Tricks at the top
Bret Anthony Johnston has won the Sunday Times EFG Short Story Award with his story ‘Half of What Atlee Rouse Knows About Horses’, a touching meditation on memory and loss that weaves together significant moments from the life of an 80-year-old Texan through the prism of the three great loves of his life: his wife,...
A selective objective
This year’s shortlist for the 2017 Sunday Times EFG Short Story Award – open to any novelist or short-story writer published in the UK, and at £30,000 the richest prize in the world for short fiction – includes three women and three men, four American writers, one British and one Irish author. The US writers...
Turn me into a monster
My novel The Impossible Fortress opens in 1987 with two boys watching music videos on MTV. While researching the book, I watched scores of old ’80s music videos, and I was surprised to learn that some of my favourites had established filmmakers behind the camera. And many more were helmed by relative newcomers who grew...
On borrowed ground
It is fair to say that the ancient Greeks gave to the literary imagination some of the greatest female characters, that they created, even, the very genre of a female protagonist. In a world presumed to be dominated by men, male thought and undeniably masculine politics, it is women who often offer the starkest, most...
For Hekate
She wakes to the sound of axes. All through the forest around her, sharp over the howling of the wind. The sunshunted by sea-blown spray. Hekate unceasing, and the wind still hot, with no cloud, air warped and darkened. Her grandfather struggling to rise higher. The Minyae building on the shore, wearing very little and...
Land of the bens and the glens
The Scottish clan that I belong to – or would belong to if it were now anything more than a sentimental myth – was broken a great many generations ago by a party of MacDonalds, who hunted down the last chief of my clan, captured him, refused him mercy, saying that a man who had...
Mohsin Hamid: Moving on
Mohsin Hamid’s latest novel Exit West imagines a world in which war refugees and economic migrants have the chance to break for safety by passing through supernatural black doors that serve as wormholes to wealthier countries. It’s a magical conceit that fast-forwards the likely exoduses of the coming decades, and intensifies the human dramas of...
Tim Murphy: Shouting out
Published last year in the US, and now here in the UK, if you haven’t already heard of Tim Murphy’s novel Christodora, let this be your tip-off. Not least because Paramount TV have bought the rights and they’ve hired Ira Sachs and Mauricio Zacharias – whose film collaborations Keep the Lights On (2012), Love is...
