A selective objective
This year’s shortlist for the 2017 Sunday Times EFG Short Story Award – open to any novelist or short-story writer published in the UK, and at £30,000 the richest prize in the world for short fiction – includes three women and three men, four American writers, one British and one Irish author. The US writers...
Poets, pedants and survivors
Masterful reworkings of Julian Barnes’ The Sense of an Ending, Maylis de Kerangal’s Mend the Living, and Sarah Waters’ Fingersmith transposed to Korea head another bright batch of literary adaptations and biopics opening in UK cinemas in April. Here’s a selection to keep you dazzled in the dark at your favourite film venues for weeks...
Mohsin Hamid: Moving on
Mohsin Hamid’s latest novel Exit West imagines a world in which war refugees and economic migrants have the chance to break for safety by passing through supernatural black doors that serve as wormholes to wealthier countries. It’s a magical conceit that fast-forwards the likely exoduses of the coming decades, and intensifies the human dramas of...
Laura McVeigh: Journeys of the mind
Laura McVeigh’s debut novel Under the Almond Tree is a vibrant and tender modern fable of a young life blighted by war. Fifteen–year-old Samar is displaced from Taliban-controlled Afghanistan and narrates her story from aboard the Trans-Siberian Express as it trundles east and west between Moscow and Vladivostok. With family and memories in tow, as...
Heart and darkness
As the current two top-ranking films at the US and UK box office testify, adaptations are a reliable route for getting a film out to a receptive audience. The Lego Batman Movie is an adaptation not only of the original DC Comics stories but also a playful take on just about every iteration of the...
Nathan Hill: Unpuzzling it all
Nathan Hill’s debut novel The Nix is a hefty, engrossing, deeply funny family drama and a sweeping examination of American politics, protest and the shifting media landscape over the last fifty years. At its centre is Samuel Anderson, a blocked writer, bored teacher and online gamer, whose mother Faye walked out decades ago and re-enters...
Michael Chabon: Flying high
Michael Chabon’s latest novel Moonglow is a fake memoir that spans the Jewish slums of pre-war Philadelphia, rocket science and espionage in World War II Germany, the verve and machinations of the space race and the dwindling of the American Century in a sleepy Florida retirement home. It’s a comical, provocative, jubilant and tender saga...
Welcome to dystopia
Writer-directors Alex Helfrecht and Jörg Tittel have adapted and filmed György Dragomán’s dystopian fantasy The White King, a series of interlinked stories influenced by the author’s childhood in a Hungarian enclave of Romania during the Ceausescu regime. Lorenzo Allchurch stars as 12-year-old Djata, whose father Peter (Ross Partridge) is imprisoned while he and his mother...
Chibundu Onuzo: Sticking together
Chibundu Onuzo’s vibrant second novel Welcome to Lagos – following 2012’s acclaimed The Spider King’s Daughter – is the story of an unlikely band of runaways thrown together as they escape civil unrest in the Niger Delta to start a new life in Nigeria’s chaotic and sprawling megacity. Army officer Chike and loyal foot soldier...
Faith, grief and passion
As 2017 kicks off with two stunning but radically different novel-inspired blockbusters in the shape of Silence and A Monster Calls (with Liam Neeson looming large in both), we launch a regular round-up of unmissable literary adaptations and biopics coming soon to UK cinemas. Here are our picks for January. Silence Martin Scorsese’s epic adaptation...
Burhan Sönmez: Istanbul light and dark
Burhan Sönmez’ latest novel Istanbul Istanbul is set in a cramped two-by-one-metre prison cell beneath the teeming city, where a student, a doctor, a barber and a frail activist regale each other with stories, parables and riddles to fill the time between brutal interrogations. Readers are transported from the oppression of the dingy cell by...
Forever Neverland
Sally Cookson’s Peter Pan at the National Theatre is an exuberant steampunk pyjama party, exploring grown-up themes of abandonment, jeopardy, loneliness and despair. Cookson thrusts Wendy Darling (Madeleine Worral) centre-stage, as her story arcs from wonder to understanding and impending adulthood, while Paul Hilton’s petulant Peter, in his outgrown green suit and arrested adolescence, remains...
