Ami Rao’s Boundary Road is an inventively structured, deftly observed and uncompromisingly raw snapshot of contemporary multicultural London in which two young passengers on the Number 13 bus from central to north London have fleeting encounter whilst lost in their own pasts. Aron is making a new start as an assistant in a suit shop,...
Dinah Glover arrived in Tokyo to take up residence in a block ambitiously named Maison du Parc. The building was surrounded by concrete and clad in more concrete, pink and stuccoed. It was long and squat, like the egg casing of a huge insect. Dinah had come on a work visa sponsored by Saitama Denki...
I am writing this now in my home in rural Ibaraki, just north of Tokyo, which I share with my husband and our three cats. We bought this old house ten years ago, did a major renovation on it, and moved in just over eight years ago. As we were moving in, one of our...
I WAS APPROACHING ST. VITUS CATHEDRAL from the Old Castle Stairs. Night had fallen, and the first stars were appearing in a clear sky. The chancel – a black silhouette of columns, flying buttresses and pinnacles – rose before me. The castle’s courtyard opened up to my left. The place was deserted and so quiet,...
I’ve been obsessed with and seduced by the notion of liminal space since childhood. It began with The Chronicles of Narnia. As an eight-year-old I devoured The Lion, the Witch and the Wardrobe and, long after the story started to fade the obsession with wardrobes remained. My paternal grandmother lived in a large, spooky Victorian...
I WAS EIGHT WHEN I REALISED that stories were not simply magic; that they didn’t arrive into the world already formed. Like puppies or babies or films. Two months before that birthday, the very first non-Congress government had swept to power in India, and with it, the end of the Emergency which had suspended civil...
My third novel Hazardous Spirits is set in Edinburgh in 1923. The story follows Evelyn Hazard, whose husband Robert wakes up one day and announces that he can speak to the spirits of the dead. Like many strange tales, the idea for this novel originated during an unusual blind date. I arrived late to the...
IT’S THE LAST ONE IN THE VILLAGE. RUMOUR HAS IT she’s outlived most and chased away the rest, that’s how they talk about her in these parts, where her first name is all that’s needed: Ariane. According to the police report, she is ninety-two years old, and what I hope, as I park my car...
When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
Ana Sampson’s latest poetry anthology Gods and Monsters, illustrated by Chris Riddell and with a foreword by Natalie Haynes, draws together classic and brand-new mythological poems from around the world. With retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit myths, it includes poems from Neil Gaiman, W.B. Yeats, Kae Tempest,...
Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
The image is instantly recognisable to horror fans: a foreboding house, a darkened sky, a single illuminated window. Maybe a figure stands silhouetted against the window’s yellow glow. Maybe the house is in a state of disrepair – forked cracks at the foundation and creeping vines strangling the porch rails. To me, a lifelong lover...
