It takes guts to make good art
“As for you, the vultures will feast on you!” With these words of visceral triumph (quite literally, since he has just thrust his spear into his fallen opponent’s underbelly), Hector, “preeminent among the war-loving Trojans”, finishes off Patroclus in Book XVI of Homer’s Iliad, but only after the latter had been struck down twice already,...
A mattress
My fiction comes from voices; voices that I hear, and then do my best to transcribe. The voice that follows, which comes from the second story in Address Book, turned out to be a really tricky one to get down. Basically, that’s because going back to the 1980s is still very hard for me. There...
Seabirds
Of course I know the seabirds were here first! They’ve had their own registered territories for God knows how many generations, and it’s very clear they must hate us. They do screaming nosedives, beaks wide open. The terns are worst, real warriors, and their aim is perfect when they crap on us. These shimmering white...
Towards an aesthetics of (im)perfection
There is a certain aura of myth and legend when it comes to Jane Austen. We think we know so much about her, and at the same time we apparently never tire of being thrilled by the mystery that seems to surround her, from her private life to what is quite simply her writerly genius....
A thousand and one tales of a philosophical life
What can Hannah Arendt possibly teach us today? What was, and still is one hopes, her indelible imprint on the world, on our humanity, on what she so unwaveringly upheld as civilisation? And who was she? How did she become that singular multitude of perspectives, human facets, existential and conceptual spaces that can certainly lay...
The story of their history
The experience of lost places of belonging, of lost states of existence, together with the tenacity to defy and resist both loss and non-being, are deeply ingrained in the Russian language: thanks to Maxim Gorky, a term such as Бывшие люди, or ‘former people’, would come to acquire an eerily tangible corporeality, reality, and even...
Secrets and lies, red Welshmen and words of vagrant wisdom
“All families develop a special language, words and references no outsider can understand. My family’s special language was Rotwelsch.” Thus begins Martin Puchner’s complex, compelling, if at times ambivalent exploration of a family and a language, or in point of fact of Language (and perhaps Family) capitalised. Of language as an institution, as a structure...
On ghosts and grace
At the outset of our email chat about her new novel Ghosted, when I tell her how deeply I connected with her story, Jenn Ashworth accepts my heartfelt praise with the comment: “It’s all I want, really, when people read my books – just to feel like they’ve been acknowledged and offered something half-useful.” It’s...
Don’t just think about it – how thoughts can be life’s actions
The ancient Greeks, and the Romans in their wake, loved to think. They were enchanted, startled and astonished by the world around them, not only by its wondrousness, but also by its terrifying vastness, inscrutable perils, its dark mysteriousness and unknowingness. They found a sense of thrill and exaltation in the perusal of magnitude and...
Alone at last: The secret of Marian Engel’s Bear
A woman is sent to an island for a summer. The island holds little more than a house, although admittedly a big one for this remote territory, and strangely shaped too, with eight sides and no real corners, two levels, many windows – ridiculous anywhere but especially here, where you need a fire most of...
A chance to tell his story
A boy grows in rural northern Italy, in the midst of pastoral peace and bloody internecine war; little is known about his parents or his childhood, for all the many stories that would be told about him once he became a novus homo, poet, imperial confidant, the voice of a people and an empire –...
Liminal inspiration for Unsettled Ground
A bookseller who was interviewing me for an event once commented that the one thing that he could see which linked all my novels was that the main characters live in buildings which shouldn’t really be habitable. Unsettled Ground, my fourth novel, is no exception. I have always been fascinated by buildings that humans once...
