Ami Rao: All life is here
Ami Rao’s Boundary Road is an inventively structured, deftly observed and uncompromisingly raw snapshot of contemporary multicultural London in which two young passengers on the Number 13 bus from central to north London have fleeting encounter whilst lost in their own pasts. Aron is making a new start as an assistant in a suit shop,...
A time to write
It’s difficult to cast my mind back to the early days of the pandemic, even though it wasn’t so long ago. Maybe because it’s a stressful time that most of us would rather forget, or maybe since many of our deeply rooted memories have to do with human interaction, it is difficult to understand, to...
Spirited gatherings and random stacks
Lucy Barker’s debut novel The Other Side of Mrs Wood has been hotly anticipated since the manuscript-in-progess finished as runner-up in the inaugural Curtis Brown First Novel Prize back in 2019 – since gathering praise from literary luminaries including Marian Keyes, Sophie Irwin, Frances Quinn and Katie Fforde. The book whisks readers to the competitive...
Into the darkest corners of the dark ages
London, one of the greatest and oldest cities in Europe, is now nearly two thousand years old. Most people know that it began as a small Roman trading post on the north bank of the Thames around 43 AD, but few people know that, after the Romans abandoned Britain in around 410 AD, it lay empty for...
Deliberate disorder and mixing it up
Matt Lloyd-Rose’s timely and penetrating account of a year spent as a special constable Into the Night is as eye-opening as it is fascinating. Patrolling the streets of an area of South London, Matt spends his Friday nights with the Met Police witnessing the best and the worst of law enforcement and of society. He...
My grandmother
With some frequency, we hear readers ask authors how much of their novels they’ve pulled from their own lives, assuming that some if not most of the content must be autobiographical. One of the fascinating things about this memoir by Xesús Fraga is that readers ask the same thing, because it seems simply impossible that...
Claire Fuller: Polpo fiction
Claire Fuller’s latest novel The Memory of Animals imagines a near-future London paralysed by a devastating pandemic that has wiped out much of the world’s population. The narrator Neffy, a marine biologist with an obsessive interest in cephalopods, is among a band of young, healthy volunteers in a vaccine trial. At the beginning of the...
Orlando Ortega-Medina: Love without borders
Orlando Ortega-Medina’s riveting novel The Fitful Sleep of Immigrants wears its politics on its sleeve. Beyond the inclusion of the perennially hot-button word Immigrants in its title, one needs only to peel back the front cover and read the dedication to find the first direct iteration of its author’s message: “To the countless multinational same-sex...
Far more darkness than the eye can fathom
Take your seat – preferably, if you can, in the centre stalls, for a commanding, birds-eye panoramic view of the spectacular stage that Es Devlin has created for Sam Mendes’ National Theatre production of The Lehman Trilogy, currently at the Gillian Lynne Theatre in London. As the lights switch on, you will find yourself in an existential space-time warp:...
Capital Crime 2022
When bookseller and literary agent David Headley and his team launched a new London-based literary festival in September 2019, they couldn’t have foreseen the pandemic’s arrival the following spring. Covid’s toll on the capital was particularly harsh. There were days when the only sound you heard outside your windows was ambulance sirens. Going in and...
Ambreen Razia: Mums and daughters
Ambreen Razia’s remarkable new play Favour at the Bush Theatre, co-directed by Róisín McBrinn of Clean Break and Sophie Dillon Moniram, plots the troubled return to family life of single mum Aleena (Avita Jay) after a spell in prison. While she was away, her teenage daughter Leila (Ashna Rabheru) was in the care of her...
The truth about lies
My novel Berlin features a so-called unreliable narrator. Daphne misleads the reader, lies to others and to herself. Early readers have pegged her as a toxic compulsive liar. But I don’t think she is exceptionally unreliable. Instead, I believe fictional characters and real people tend to exaggerate the extent to which they are honest with...
