Here or there
Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
Spooky houses with eerily lit windows
The image is instantly recognisable to horror fans: a foreboding house, a darkened sky, a single illuminated window. Maybe a figure stands silhouetted against the window’s yellow glow. Maybe the house is in a state of disrepair – forked cracks at the foundation and creeping vines strangling the porch rails. To me, a lifelong lover...
Charlotte Perkins Gilman: ‘The Yellow Wallpaper’
I recently found myself on the horror side of BookTok, scrolling through video after video recommending “books that will rattle me to my core” and “scary fall reads” when something intrigued me enough to stop scrolling. A young man stared into the camera, carefully holding a book so that the viewer couldn’t immediately see the...
Embracing the unknown
Gina Chung’s near-future debut novel Sea Change is narrated by 30-year-old Korean American aquarium worker Ro, whose menial job is uplifted by taking care of a magnificent, genetically mutated giant octopus called Dolores. Dolores was brought to the aquarium by Ro’s father two decades earlier, lifted from a highly polluted stretch of northern ocean known...
Gabriel García Márquez: ‘A Very Old Man with Enormous Wings’
The very brevity of a good short story makes for an intense, concentrated experience, one that lingers in the memory even if the story itself is never revisited. The Colombian author and Nobel Laureate Gabriel García Márquez’ ‘A Very Old Man with Enormous Wings’ is, simply put, unforgettable. Its title promises a fable, as does...
We need to do the impossible, because what’s merely possible is gonna get us all killed
We can debate whether the problem is Us or Them. We can endlessly parse false and real solutions, and fight over what – given prevailing political realities – we’re willing to consider “good enough.” We can argue whether to focus on mitigation, adaptation, or suffering. We can quarrel over whether our salvation lies in individual...
Orlando Ortega-Medina: Love without borders
Orlando Ortega-Medina’s riveting novel The Fitful Sleep of Immigrants wears its politics on its sleeve. Beyond the inclusion of the perennially hot-button word Immigrants in its title, one needs only to peel back the front cover and read the dedication to find the first direct iteration of its author’s message: “To the countless multinational same-sex...
Murder, mystery and mind games
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
A laughing boy and music from a cracked kettle
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...
Lore Segal: A life in stories
Lore Segal published her first Ladies’ Lunch story, ‘The Arbus Factor’ in The New Yorker in 2007, and the most recent, ‘Soft Sculpture’, in summer 2022. For her extraordinary new collection, published to coincide with her 95th birthday on 8 March 2023, she brings three new stories together into a sequence with earlier stories published in The New Yorker and elsewhere....
Golden pillars and lofty plans
Danielle Evans’ brilliantly titled short story collection Before You Suffocate Your Own Fool Self (a quote from ‘The Bridge Poem’ by Donna Kate Rushin) covers a range of themes from being a teenager to race and class and complicated families. Showing us the yearning we have to be loved and wanted by our parents, these stories are...
‘Love you, man’
Will Schwalbe’s multi-decade memoir We Should Not Be Friends kicks off at Yale in the early eighties, when the author is selected for membership in a secret society (no, not that Yale secret society) for his senior year. Looking back at his initiation into the group, Schwalbe describes his impressions of his fellow inductees; one in particular, wrestling-team star...
