Larkin, Sebald and the backs of envelopes
Jessie Greengrass burst onto the literary scene in 2016 with her prize-winning story collection An Account of the Decline of the Great Auk, According to One Who Saw It, and her debut novel Sight (2018) was shortlisted for the Women’s Prize. Her second novel The High House is a stunning investigation of the extraordinary and...
Alone at last: The secret of Marian Engel’s Bear
A woman is sent to an island for a summer. The island holds little more than a house, although admittedly a big one for this remote territory, and strangely shaped too, with eight sides and no real corners, two levels, many windows – ridiculous anywhere but especially here, where you need a fire most of...
At last
It is another Friday evening, and I climb the four stories of Noor’s building with its small, rectangular windows that let in only thin slivers of brownish yellow light. The lightbulbs on the third and fourth landings are burned out, so I make my way in almost complete darkness by counting the stairs. At first,...
Véronique Tadjo: Listen to the trees
French-Ivorian writer, academic and artist Véronique Tadjo’s spellbinding novel In the Company of Men draws on personal testimonies from medical workers and those affected by the Ebola outbreak in Guinea, Liberia and Sierra Leone, as well as oral traditions of storytelling, to create an urgent modern fable about the strength and fragility of life on...
from Museum of Ice Cream
Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying; also touching on television, childhood films and social media accounts, the collection investigates how to reveal...
from A God at the Door
Tishani Doshi’s latest poetry collection A God at the Door spans time and space, drawing on the minutiae of nature and humanity to elevate the marginalised. Taken together, playfully eclectic in form and metre, the poems traverse history, from the cosmic to the quotidian, taking inspiration from the world at large to bestow power on...
Louise Kennedy: Marks on the ground
Shortlisted for the Sunday Times Audible Short Story Award in both 2019 and 2020, and the recipient of many earlier awards, Louise Kennedy has become a leading light in Irish storytelling. Having worked mostly as a chef for thirty years, she began writing at the age of 47 in 2014, and has since completed an...
The Party of God
The month of October, which would culminate with the nation’s first truly democratic elections, didn’t merely bring the forager bees’ beloved rosemary plants into bloom. The folds of its autumn coat were hiding strange birds that formed a new kind of convoy. Contrary to the last caravan, primarily composed of young men and women waving...
Lost souls
Suzanne O’Sullivan’s The Sleeping Beauties (Picador) is utterly fascinating. It reminds us that the brain is a wonderful and powerful thing and we have a long way to go before understanding it fully. Suzanne, a consultant in neurology, delves into cases that doctors and scientists have struggled to explain. Why are refugee children in Sweden...
Groundbreaking women
What does it mean to break ground? To make an incision in soil so that building can begin or, more loosely, a reference to genius or creative prowess – some kind of innovation. What does it connote for the female body, given it’s a rare woman that hasn’t been told to lie down on the...
A chance to tell his story
A boy grows in rural northern Italy, in the midst of pastoral peace and bloody internecine war; little is known about his parents or his childhood, for all the many stories that would be told about him once he became a novus homo, poet, imperial confidant, the voice of a people and an empire –...
Brenda Navarro: Beyond motherhood
Brenda Navarro’s evocative and powerful novel Empty Houses explores the pain of losing a child, the social impositions of motherhood, and the plight of Mexico’s disappeared and economically disadvantaged. It opens with the voice of a distraught mother whose autistic three-year-old boy Daniel is snatched away from her in a Mexico City park as she...
