Latest entries
Kate Simants: Extreme reality
Reality TV is dead! Long live reality TV! And so it goes. Just when we think audiences have had enough, and production companies are scraping the barrel for ideas, along comes another surprise that grips the nation. This winter, it was The Traitors that got the whole nation talking – and not just about how Claudia Winkelman...
Translators Aloud: Charlotte Coombe and Tina Kover
In May 2020, in the early months of the first Covid-19 lockdown, Tina Kover posted on Twitter that she was considering uploading a video of herself reading from one of her translations but wasn’t sure if anyone would be interested in watching such a thing. Amid a flurry of replies, fellow translator Charlie Coombe suggested...
Murder, mystery and mind games
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
A laughing boy and music from a cracked kettle
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...
Becoming a writer
My twentieth novel, Reservoir, is a psychological thriller about memory, secrets and shame. My central character Hannah has reinvented herself in order to escape her past. Like me, she has moved from a working-class background into a profession that is traditionally middle class – in her case it is psychotherapy rather than writing. At a recent...
Lore Segal: A life in stories
Lore Segal published her first Ladies’ Lunch story, ‘The Arbus Factor’ in The New Yorker in 2007, and the most recent, ‘Soft Sculpture’, in summer 2022. For her extraordinary new collection, published to coincide with her 95th birthday on 8 March 2023, she brings three new stories together into a sequence with earlier stories published in The New Yorker and elsewhere....
Golden pillars and lofty plans
Danielle Evans’ brilliantly titled short story collection Before You Suffocate Your Own Fool Self (a quote from ‘The Bridge Poem’ by Donna Kate Rushin) covers a range of themes from being a teenager to race and class and complicated families. Showing us the yearning we have to be loved and wanted by our parents, these stories are...
“An unspeakable hell” – subversive spaces in literature
This is a collection of uncanny places, of nasty, squirming, blackened spaces. In the traditional haunted house, we place the blame for fear or hysteria or death squarely on the draped and ethereal shoulders of a ghost. They pass through walls and shriek in the bathrooms and lurk beneath the beds, causing all sorts of...
Roughly organised, somewhat scattered
Cecile Pin’s exceptional debut novel Wandering Souls is a beautiful and haunting look at the plight of Vietnamese refugees in 1970s France. Partly based on her mother’s experience of coming to the country as a refugee, it’s about identity, loss and trying to find a feeling of belonging – a very human picture of the sacrifices and...
Celebrating the Year of the Witch
Some young girls are into sports, some are into fashion, and some spend their teenage years building altars in their bedrooms, summoning spirits and casting spells. At least up until recently, there were perhaps not that many of us – and we did run the risk of being branded as weird, but some of my fondest memories...
Ann-Helén Laestadius: Lost lands and lost lives
Ann-Helén Laestadius’ Stolen is a forceful story of a young Sámi woman battling to preserve the lifestyle and traditions of reindeer herders in Sweden amid a wave of torture and massacre of the animals on whose livelihood they depend. At the age of nine, Elsa witnesses the aftermath of the brutal killing of her favourite...
‘Love you, man’
Will Schwalbe’s multi-decade memoir We Should Not Be Friends kicks off at Yale in the early eighties, when the author is selected for membership in a secret society (no, not that Yale secret society) for his senior year. Looking back at his initiation into the group, Schwalbe describes his impressions of his fellow inductees; one in particular, wrestling-team star...
