The ancient Greeks, and the Romans in their wake, loved to think. They were enchanted, startled and astonished by the world around them, not only by its wondrousness, but also by its terrifying vastness, inscrutable perils, its dark mysteriousness and unknowingness. They found a sense of thrill and exaltation in the perusal of magnitude and...
If you had asked the eight-year-old me what I wanted to be when I grew up, I would have told you I fancied serving in the army or being an accountant like my father. Indeed, I was obsessed that he had a drinks cabinet built into his office desk, which seemed the epitome of sophistication. Of...
Kristin Hersh is probably the best singer-songwriter you have never heard of. Just like her music, Seeing Sideways: A Memoir of Music & Motherhood (Jawbone press, 7 May) is poetic, lyrical and complex. I’ve been a fan (she prefers the word ‘listener’) since the early 1990s. Her band Throwing Muses has been around since the...
While serving in World War II, Joseph Heller concluded that war was a farce in which only those crazy enough to fight were considered sane enough to do so. That became the theme of a novel he wrote several years later. Heller titled his novel Catch-18. Just as this book was about to be published...
Jessie Greengrass burst onto the literary scene in 2016 with her prize-winning story collection An Account of the Decline of the Great Auk, According to One Who Saw It, and her debut novel Sight (2018) was shortlisted for the Women’s Prize. Her second novel The High House is a stunning investigation of the extraordinary and...
A woman is sent to an island for a summer. The island holds little more than a house, although admittedly a big one for this remote territory, and strangely shaped too, with eight sides and no real corners, two levels, many windows – ridiculous anywhere but especially here, where you need a fire most of...
It is another Friday evening, and I climb the four stories of Noor’s building with its small, rectangular windows that let in only thin slivers of brownish yellow light. The lightbulbs on the third and fourth landings are burned out, so I make my way in almost complete darkness by counting the stairs. At first,...
French-Ivorian writer, academic and artist Véronique Tadjo’s spellbinding novel In the Company of Men draws on personal testimonies from medical workers and those affected by the Ebola outbreak in Guinea, Liberia and Sierra Leone, as well as oral traditions of storytelling, to create an urgent modern fable about the strength and fragility of life on...
Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying; also touching on television, childhood films and social media accounts, the collection investigates how to reveal...
Tishani Doshi’s latest poetry collection A God at the Door spans time and space, drawing on the minutiae of nature and humanity to elevate the marginalised. Taken together, playfully eclectic in form and metre, the poems traverse history, from the cosmic to the quotidian, taking inspiration from the world at large to bestow power on...
Shortlisted for the Sunday Times Audible Short Story Award in both 2019 and 2020, and the recipient of many earlier awards, Louise Kennedy has become a leading light in Irish storytelling. Having worked mostly as a chef for thirty years, she began writing at the age of 47 in 2014, and has since completed an...
The month of October, which would culminate with the nation’s first truly democratic elections, didn’t merely bring the forager bees’ beloved rosemary plants into bloom. The folds of its autumn coat were hiding strange birds that formed a new kind of convoy. Contrary to the last caravan, primarily composed of young men and women waving...
